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X Marks the Bökship

In Peril on the Sea: Sailing Ships, Stormy Seas

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58_invite

Written by bökship

February 3, 2015 at 10:57 pm

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How to get to the Bökship by boat

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Bokship-by-Boat-3

Written by bökship

February 3, 2015 at 6:44 pm

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XArchive at Rupert, Vilnius, 2015

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XARCHIVE RUPERT

The XArchive is a collection of over 100 books that were launched between 2008 – 2014 at X Marks the Bökship, a bookshop for independent publishers in London, UK. Each book launch was accompanied by a reading, performance, screening, exhibition or discussion. Publishers include And Public, Article Press, Bedford Press, LemonMelon, Precinct, Primary Information, Spector Books, True, True, True and The Everyday Press and range from art and design journals to art writing essays, poetry zines and artists’ books.

The XArchive will be housed at the Reading Room at Rupert, Vilnius between January and June 2015 where residents and visitors can use it as a resource. The aim of the travelling collection is to take a snapshot of recent independent arts publishing and distribute these ideas to new audiences and places. The XArchive has travelled to Karlsruhe and Berlin in Germany, Arnhem in Holland and Cardiff in Wales. XBooks

Written by bökship

January 12, 2015 at 9:29 am

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Publication as Practice #6: Open Books, Volume E, Final draft / Wednesday 3 December 2014, 7pm

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Publication as Practice II
A short course on concepts of artists’ publications

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#6: Open Books, Volume E, Final draft
Organised by Charlotte Cheetham and Sophie Demay.
Wednesday 3 December 2014, 7pm
Event starts at 7.15pm

With a wandering by Alexandru Balgiu from ‘The New Rational Typewriting’ and contributions from Paul Bailey, Angélique Buisson, Loraine Furter, Valérian Goalec, Aurélien Mole, Museum of Museum, Ghazaal Vojdani and Eleanor Vonne Brown.

The event is based on Open Books most recent chapter, Volume E. It acts as a 3D Mock up of the chapter. A final draft before it goes to print. A live edit. A rehearsal.

Since 2010, the project Open Books has been playing with the idea of spaces: the space of the book – its representation as an object – and the book in the space – the systems of its display in exhibitions.

This event lies precisely in between these spaces, at their crossroads, margins and intervals.
A second edition of Open Books that includes volume E, is to be released in early 2015 and published by Hato Press.

Written by bökship

November 30, 2014 at 9:59 am

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Launch of THE VISUAL EVENT / Friday 28 November 2014, 6.30pm

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The Visual Event

Launch of THE VISUAL EVENT
An Education in Appearances
Edited by Oliver Klimpel
Spector Books 2014

An evening

with objects by Constanze Hein and Ann Richter,

a video by Jan Blessing,

a special performance by Marie Lautsch, Patrick Müller, Léon Auffenberg and Oliver Klimpel,

and the book

Is it possible to understand graphic-design as a practice beyond an object-centric approach, as a practice beyond the conception and production of well-designed and printed artefacts? Which other potentials to create a public should be considered integral to design as an activity? This book explores which graphic, spatial and temporal forms such a situational practice could take, and tests the idea of the “visual event” from various perspectives of visual culture. It compiles numerous contributions by artists, academics, designers, architects, and students of the System-Design Class at the Academy of Visual Arts Leipzig.

With contributions by Oliver Klimpel, James Hellings, Planning-To-Rock, Eva Weinmayr, Carolin Lerch, Mia Frostner and Robert Sollis (EUROPA), William Haggard, Alexander Garcia Düttmann, Friedrich Tietjen, Franciska Zólyom, and students of the System-Design Class at the Academy of Visual Arts Leipzig.

Written by bökship

November 25, 2014 at 9:08 am

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Publication as Practice II # 4. Jarosław Kozłowski / Wednesday 19 November

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Publication as Practice II
A short course on concepts of artists’ publications

This talk series by artists, writers, designers and publishers covers a range of concepts behind artist books and experimental publications. Speakers include Simon Morris (Information as Material), James Langdon, Nicole Bachmann and Ruth Beale (Performance as Publishing), FormContent, Jaroslaw Kozlowski, Sophie Demay & Charlotte Cheetham,
Events take place on Wednesday evenings between September – December 2014. FREE.Wednesday 1 October 2014, 7pm

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# 4. Fragmentation of Time and Space
Jarosław Kozłowski
Wednesday 19 November 2014, 7pm
Talk starts at 7.15pm

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The art books of Jarosław Kozłowski (1945, Poland) have their roots in conceptualism.
Kozłowski’s work is marked by a critical-analytical discourse with art and the mechanisms of perception, self-reflection and the building of correlations between the grammar of the artistic language and the sphere of meaning. In the 1970s the artist created works of a purely linguistic nature; they reflected his interest in language games and puns. Kozłowski will talk about the books he produced during this time and refer them to the time and art context of the 70s.

Written by bökship

November 18, 2014 at 11:45 am

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Fragmentation of Time and Space, The Art Books of Jarosław Kozłowski

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Flyer front

Fragmentation of Time and Space
The Art Books of Jarosław Kozłowski
19 November  – 14 December 2014
Preview Sunday 16 November 2 – 5pm alongside Revolver II Part 3 at Matt’s Gallery

The art books of Jarosław Kozłowski (1945, Poland) have their roots in conceptualism.
Kozłowski’s work is marked by a critical-analytical discourse with art and the mechanisms of perception, self-reflection and the building of correlations between the grammar of the artistic language and the sphere of meaning. In the 1970s the artist created works of a purely linguistic nature; they reflected his interest in language games and puns. The exhibited books include Lesson (1973), Exercise of Aesthetics (1976) Three Thirty and Fifty One (1989). A new printing of “Reality” (1972) has been published to accompany the exhibition.

Sunday 16 November 2014, 2 – 5pm
Launch of “REALITY” by Jarosław Kozłowski
(1972)
3rd Printing 2014, Matt’s Gallery / X Marks the Bökship

“REALITY “ is based on Immanuel Kant’s Critique of Pure Reason. It is a precise copy of the third subchapter of The Transcendental Power of Pure Judgement (Analysis of Principles) from Doctrine of Elements (part II, section 1). “REALITY” means reality.

. , : ; – ( ) / / ” “ ! ? … ­– or punctuation – is something which escapes conformation with metalinguistic reality and which does not constitute either its representation nor its description (in written language).
Although we commonly refer to punctuation marks, these notations have no meaning external to themselves. They do not have any models in meatalinguistic reality and themselves do not model any elements of that reality. They have no designates, while, simultaneously, not being void, they are therefore neutral vis-à-vis metalinguistic reality.

. , : ; – ( ) / / ” “ ! ? … ­create reality which is e q u i v a l e n t   to metalinguistic reality. In a sense they are the only “REALITY” reality of ‘Jarosław Kozłowski ‘.

Con-Text, Bunkier Sztuki, 2009

Written by bökship

November 11, 2014 at 11:35 am

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