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Launch of Triggered Sound published by Palaver Press / Friday 15 March 2013, 6 – 9pm

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Friday 15 March 2013, 6 – 9pm
Launch of Triggered Sound published by Palaver Press

Triggered Sound1

TRIGGERED SOUND is Palaver Press’ first print publication, having originally been established in 2011 to publish sound works. This book is a collection of commissioned photographs taken by sound artists, documenting the various objects in our world that playback pre-recorded sounds at the push of a button or the winding of a gear. Alarms, toys, tape players, megaphones, subway speakers, automated messaging systems, samplers, etc. The objects of triggered sound are photographed in environments both familiar and foreign, domestic and subterranean, calling to mind the ways in which we interact with them in our daily lives either by choice or by chance. These visual portraits reflect an intriguing range of silent moments despite the contrasting function of these objects to provide timed passages of recorded audio.

ARTISTS Taylor Deupree, Jill DuBoff, Marihiko Hara, Marla Hlady, Yan Jun, Gregg Kowalsky, Caro Miklaef & Stephan Mathieu, Jeremy O’Sullivan, Aki Onda, Émilie Payeur & Pierre Paré-Blais, Nicola Ratti, Sawako, Nicholas Szczepanik, Benjamin Tomasi, Rie Yoshihara.

Text by Jeremy Young
Editing/layout by Catherine Métayer

Triggered Sound
Palaver Press 2013
150 copies, hand-numbered
Price: £10
32 pages
ISBN: 978-0-9885491-0-4
Digitally printed on FSC-certified paper with a special letterpress cover. Books are hand-bound with 100% recycled hemp twine in Japanese three-hole binding technique.

Written by bökship

March 13, 2013 at 8:13 am

Publishing Forum: reading group: Artists ‘ Magazines, An Alternative Place for Art by Gwen Allen

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Publishing Forum: reading group – Reading Artists ‘ Magazines, An Alternative Place for Art by Gwen Allen
Wednesday 13 March 7-9pm

Reading Chapter 7: Artists’ Magazines in the 80s.

Magazine publishing is an exercise in ephemerality and transience; each issue goes out in the world only to be rendered obsolete by the next. To publish a magazine is to enter into a heightened relationship with the present moment. During the 1960s and 1970s, magazines became an important new site of artistic practice, functioning as an alternative exhibition space for the dematerialized practices of conceptual art. Artists created works expressly for these mass-produced, hand-editioned pages, using the ephemerality and the materiality of the magazine to challenge the conventions of both artistic medium and gallery. In Artists’ Magazines, Gwen Allen looks at the most important of these magazines in their heyday (the 1960s to the 1980s) and compiles a comprehensive, illustrated directory of hundreds of others.

Among the magazines Allen examines are Aspen (1965–1971), a multimedia magazine in a box—issues included Super-8 films, flexi-disc records, critical writings, artists’ postage stamps, and collectible chapbooks; Avalanche (1970-1976), which expressed the countercultural character of the emerging SoHo art community through its interviews and artist-designed contributions; Art-Rite (1973-1978), an irreverent zine with a disposable, newsprint format; Real Life (1979-1994), published by Thomas Lawson and Susan Morgan as a forum for the Pictures generation; 0 to 9 (1967–1969), a mimeographed poetry magazine founded by Vito Acconci and Bernadette Meyer; FILE (1972–1989), founded by the Canadian collective General Idea, its cover design a sly parody of Life magazine; and Interfunktionen (1968–1975), founded to protest the conservative curatorial strategies of Documenta. These and the other magazines Allen examines expressed their differences from mainstream media in both form and content: they cast their homemade, DIY quality against the slickness of an Artforum, and they created work that defied the formalist orthodoxy of the day. (A work by John Baldessari from the late 1960s shows a photograph of Artforum, captioned “THIS IS NOT TO BE LOOKED AT.”) Artists’ Magazines, featuring abundant color illustrations of magazine covers and content, offers an essential guide to a little-explored medium.

Publishing Forum: reading group is a joint reading group with Banner Repeater, X Marks the Bökship  and Arnaud Desjardin from The Everday Press, with a specific focus on publishing.

Continuing with our enquiry into publishing, past, present and future, the reading group meetings will be held alternately at Banner Repeater and X Marks the Bokship and all are welcome to join us. We meet every two weeks on Wednesday evenings from 7 – 9pm.

We will have read and be discussing Chapter 7: Artists’ Magazines in the 80s, and we will be meeting at X marks the Bökship .

Written by bökship

March 13, 2013 at 8:10 am